Battlestar Galactica had very, very few flaws in my book, but there was one thing that always bothered me: the planet Caprica. The problem is that whenever someone on the show said “Caprica”, I thought about “paprika”. In English, you say paprika, while in Dutch it’s paprika. In other words, I was reminded of paprika all the time.
And I really fcuking hate paprika.
That was about my only issue with BSG. For the rest, I’m such a huge fan of BSG that if I’d ever run into Ronald D. Moore, I’d probably start licking his face (assuming Nicki isn’t around, of course). You can imagine that I was really looking forward to Moore’s next endeavour, “Caprica”. Paprika Caprica is a prequel to Battlestar Galactica, taking us back 58 years so we can witness the creation of the first Cylon, and the run up to the first Cylon War.
In fact, I was so looking forward to it that I totally missed the pilot, which aired 8 months ago.
I only found that out this morning through Eugenia’s blog post. Luckily, though, it turned out that the original pilot had some issues, which Moore and his crew fixed in an extended and new cut of the pilot which SyFy put on their website. Of course, me living in the The Netherlands and all, I’m technically not allowed to watch it from here - but as my friends know, I’m a James Deanish bad boy, so I put on my nerd pants and fiddled with my network settings until my computer thought it was living in California.
I would’ve preferred South Carolina, if only to totally screw up SyFy’s marketing department.
In any case, I finished watching the 90 minute pilot episode a few hours ago, and I must admit that I’m positively surprised. I mean, I always had the fear that the BSG universe would fall into the same trap as Star Trek did (i.e., reuse the exact same character archetypes in different settings 6 times in a row), but none of that happened during the pilot episode: this is a different show, with a completely different setting, and with completely different characters.
And Zoe.
Caprica gets major brownie points right from the start because its actors act natural around all the fancy-pants stuff they have around them. In most science fiction shows, including Star Trek, actors act as if they were present-day humans flung into a modern and advanced world: they explain the workings of tools and equipment ad nausea, which is totally frakking unbelievable and hinders immersion.
You don’t go around staring in bewilderment at your computer or TV every day, now, do you?
The series gets even more brownie points for having that BSG feel when it comes to camera work and music. It’s different, but instantly recognisable to BSG lunatics like myself. Of course, this being a Moore show, the religious theme is present (which I find awesome, as I’m not an arrogant look-at-me-being-all-non-religious-while-at-the-same-time-believing-the-climate-hype type), but the element of racism is present too, and both feel very well done. The special effects are awesome too, and the first ever Centurion is just plain frakking scary.
The only real problem I found was that cheap moment where Daniel Graystone supposedly lost the data of his daughter after loading it into the Centurion. This made no frakking sense whatsoever, as he should’ve kept a backup, and as a major technology dude, he probably had, too. Moore could’ve come up with a more believable scheme here - maybe the Centurion could’ve gone bonkers first, destroying the equipment in the room. The way it happened now felt like cheap cop-out.
Overall though, I most certainly will be watching from January 22, 2010, and onwards. If only to see more Zoe.